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J  a  n   H  a  r  t 's 

HartNews©

Volume 05, Issue 3



F a l l,  2005 

Fall, 2005

The hummingbirds have all gone and so have the beautiful golden leaves. The sunny crisp mornings of fall excite me with hope and familiar dreams. The pigeons on the studio roof are huddled and fluffed, happy to welcome yet another beautiful day.

I started writing this well over a month ago but have been interrupted by unavoidable circumstances I'll explain later. Still - I want to connect with all of you - so...here goes.

 

Welcome to HartNews, Volume 05, Issue 3!


So...What is
HartNews? HartNews is my attempt to write about life and watercolor from where I see it. As a teacher, I enjoy passing on some of the things I think about or do in watercolor. As a fellow human, I wish to pass on some of the things that inspire me - or make me laugh!. I've included you in this issue - you who are painters, friends, former guests and/or family - some of you without your expressed permission. So…please reply and ask to be removed from this mailing list if you'd rather not get HartNews editions - or just delete me! Originally, I intended to make HartNews a monthly event. Now, more realistically, I see it as a quarterly or bi-annual publication. If you have something you'd like add or say, just email me! and please feel free to pass this on to your friends... If you'd like to see the back issues - just check the Archives above - more demos, etc. - and don't forget to Bookmark this issue!

In this Issue:

 

Please click where you'd like to go...

Demo - A Back lighted Cottonwood Tree....

This year's Fall workshop - "Painting the Colors of Fall" was such fun! Great people and wonderful weather in which to view the bright yellows, golds and oranges of the Cottonwood trees! I decided to do a demo of a back-lighted tree! It isn't the yellows that are difficult - it is how to paint the shaded front of the tree, leaving the less dense lighter edges. So...I began with a value/composition study as usual.

   
 

The tree is old and lovely - standing alone with some of its branches bare and withered. I felt both a sadness and an appreciation about this tree with Black Mesa beyond. The name, "Gentle Aging" came to me and I wrote it down before I began.

   
I use the value composition sketch for discovery, to identify some of the elements in the tree that I'd like to emphasize and of course - for values and composition. I decided I loved the parallel drooping branches and moved the tree to the right for more emphasis on the leaved branches.
     
My first approach on the quarter sheet for demonstration was to very lightly sketch and then cover the Fabriano Artistico paper with Aureolin Yellow along with a sudden impulse to paint Rose Madder Genuine along the bottom. Why? Just an experiment for the underwash below the earth.
 
 

As the underwash begins to dry - I dive in with my motto, "Lightest, Brightest or Scariest First". I feel free to use any yellows I have - Aureolin, Nickel Azo,Q. Gold and make sure that the edges are pure yellow while I add in drippy golds and oranges and reds farther to the right. I encourage and delight in the drips! Why don't I start with the trunk and branches? Because I want to first be sure where the leaves that partially hide the branches are.

 
After everything is dry I get to go for the glaze that will begin to paint the shaded side. How to make the glaze? I use only transparent, non staining pigments - Cobalt blue, Rose Madder Genuine and Aureolin Yellow and decide that over the yellow I must mix a lavender (its complement) to avoid turning my yellow tree green. I take care NOT to go to the edges with my application of "shade" and I delight in allowing some of the purple to cover the underwash for variety and even leave some of the yellows inside the tree to stay as they are.
   
Now I can add the trunk and some of the branches. I take care to look carefully for the places that are open, under a cluster of leaves or painting interrupted branches so that they appear to be within the tree as they are - not painted over leaves appearing to be on top of the leaves. I sometimes refer to this kind of branch panting as "placing snakes on the tree". The pigment I like best for the darks of a tree? Daniel Smith's Napthamide Maroon along with a spot of Ultramarine Blue and maybe some new DS. Purpurite, a pure mineral from South Africa!
 
 
 
I'm so excited to put in the blue blue mesa beyond. Cool Cerulean is my choice to play against the oranges in the lower branches. Now it is time for a critique, which I get from my painting colleagues on Thursday evenings in the studio. What to do about the sky? There's always blue, but that would add too much cool to the predominantly warm painting and compete with the blue mesa I love.What about leaving it alone? Hm. I want something to play against the light yellow edges of the tree to highlight the backlighting. I decide to leave the base of the sky light and re-introduce lavender and pink into the upper sky to contrast with the yellow sun drenched edges.Then I add purples to the ground with some pinks and I take care to leave the oval sun pictures. (Refer to the Archives for information on Sun Pictures and dappled light.) I'm done for now - but think that it probably needs another application of lavender shade to really finish it! Still - I'll tape it to the wall in the studio and continue to look at it before I decide if it needs more.
Here's the deal. Send me an email & I'll send you back a better jpeg of the original picture. You paint it and send me a jpeg - and I'll be happy to offer you a critique! No charge.
 
 

Quote of the Season

Congratulate yourselves if you have done something strange and extravagant and broken the monotony of a decorous age.

Unless you try to do something beyond what you have already mastered, you will never grow.

The reward of a thing well done,

is to have done it.

Ralph Waldo Emerson

 

 

 

Announcing Next Year's Workshops @ Ranchito San Pedro!

Carol has come up with an exciting idea for 2006 workshops here! As you probably know, I have taught week long workshops at Ghost Ranch for the past 10 years, called "On the Trail of O'Keeffe". I have always loved Ghost Ranch - but due to changes there that I find difficult for myself and my students, it is time to rethink. Also, my back problems respond to nightly renewal in my own bed.

So...2006 will include 4 1-week long seasonal workshops here. Accommodations will include the 2 cabins and east end bedrooms & bath in my house - for 10 people max. Breakfasts, lunches & some dinners included as well as instruction, class time and painting time in the studio, open 24 hours!

The workshop titles will remain, "On the Trail of O'Keeffe" and each will include some standard special visits to Santa Fe (O'Keeffe Museum plus), Taos (Mabel Dodge Luhan museum & Lawrence Ranch, Ghost Ranch, Abiquiu (O'Keeffe Abiquiu house tour), Plaza Blanca and other O'Keeffe related destinations. There will be time for painting or shopping at each place as well as photographing, viewing & food. We'll furnish easels & stools for all!

Also...each season will feature a particular theme - in lessons, demos and destination.

Some preliminary thoughts... .

  • Spring. Subject: COLOR & PIGMENTS. May include painting in the Velarde apple blossom orchards or Canyon Road gardens, and/or painting animals! We'll have horses outside and parrots, finches, sparrows and canaries in the studio!.
  • Summer. Subject; LIGHT, SHADE & SHADOW. May include painting adobes at Rancho de Chimayo & the Sanctuario, and/or Ghost Ranch & Echo Amphitheater.
  • Fall. Subject; PAINTING THE COLORS OF FALL. May include painting vegetation like Cottonwood trees. landscapes of brilliant colors, Chiles & Ristras at a roadside stand with the smell of roasting chile.
  • Winter. Subject; WINTER SCENES - INSIDE & OUT. May include painting inside the bar at Rancho de Chimayo - with the open fire, plentiful windows and great food and/or a trip to Truchas for snow painting with long long shadows!

We'd love your feedback! What do you think? Any other suggestions of places or subjects? You can email Jan here.

Each workshop fee is $1225 plus tax with a deposit on a first come basis of $200. Cancellation policy. Class size limit = 10.

 

 

 

News Flash! Finally - A Book in the Making by Jan Hart!

Completely out of the Blue - Quarto Publishing Company contacted me to ask if I'd like to write a book on Watercolor Pigments - what they are, how they act, why they do what they do, subject-specific paints, etc. It fell into my lap where it will be the challenge and excitement of the new year! Many of you know of my love of pigments, of their chemsitry and of their mystery. Here is my chance to really have some fun. I'll keep you posted! It just makes ne smile that for at least 8 years I've been talking about writing a book. Talking.

 
                           
 

Some thoughts on Watercolor Pigments

Anyone who has ever wandered through an art store looking for watercolor pigments is faced with enormous confusion. And, to make matters worse, every watercolor teacher recommends different pigments. What to do? I generally start my students with just a few pigments that will work well together - like a red, blue and yellow - primary colors that can produce all other colors - like Ultramarine Blue, Alizarin Crimson and a yellow - i.e. Cadmium yellow or Quinacridone Gold made by Daniel Smith. I like to add in Burnt Sienna, a very useful pigment I've always used and revered. Some instructors use only 3 or 4 pigments for all their work - and this practice surely produces unity in a painting. But, alas, my Chemistry background feeds my intrigue with what pigments do as well as their color. My joy in painting is in watching the chemical reactions of adding one pigment into a wet or damp other pigment - on the paper. This is how I teach and how I paint. For this reason, I can recommend both a book and a pigment manufacturer to help in selections.

 

  • Guide to Watercolor Paints, by Hilary Page. This book is a wonderful reference book for selecting specific pigments. Most manufacturers are represented and their pigments thoroughly tested for lightfastness, and other characteristics.
  • Watercolor Pigments by Daniel Smith I began using Daniel Smith pigments when I lived in Seattle some 17 years ago. As far as I know, the Daniel Smith chemists are the only ones actively pursuing pigments that do things - shoot, granulate, dive, push, deflect when one pigment is added to another damp or wet pigment on the paper. I love this! I also love the Quinacridones, which have come from the automobile industry - for their intensity and luminosity. And I love my old favorites . And right now I am testing the Primateks! Wow! Of course there are other manufacturers that I also choose pigments from - like Winsor Newton and Holbein. But overall - I choose Daniel Smith. For a great deal - go online to Daniel Smith and choose 12 pigments - get free shipping and 12% off! And - if you want to know which 12 I'd choose first, email me. And, just so you know - I don't work for Daniel Smith. I just like them!
 
                           
 

How about a visit to New Mexico - and enjoy one of my cabins?

 

The cabins are better than ever and seem to bring only the best folks ! Because they have the best location in northern New Mexico, you'll surely run out of things to do and see - from Santa Fe & Taos to Bandelier & Ghost Ranch - but I'll guarantee you'll have a wonderful time doing it! If you tell me that you heard about the cabins through HartNews, I'll give you the 2005 rates! Check them out here.

 
     
 

News with Jan & Carol & critters....

Carol & the Wildlife Center. Carol continues her work in rehab at the Wildlife center, though the hectic days of summer filled with baby animal mishaps are winding down to mostly adult animal mishaps from all over the state. Hurt animals are brought in by homeowners, ranchers, bikers, and vacationers. Given time, patient care and occasional veterinary help, releases back to the wild have included hawks, eagles, owls, songbirds (Carol's specialty), elk, deer, bears, snakes and so many others. All summer Carol carried along bird cages with various baby birds learning how to perch, fly and finally to be released where others of the same species. Now she sees some of "her" lesser goldfinches feeding from her thistle socks outside her window. Carol's work is so important to those of us who love animals and we just hope that The Wildlife Center can continue to care for the wild ones that get hurt. For more information please click here.

 

The horses will really appreciate the windows.

 

The Horses. In the summer issue, I told you that Carol had found her horse, "Sky", the Appaloosa Foundation 2 year old and was eager for me to find mine. We researched and finally found a perfect horse I've named "Hopalong". She is a 14 hand Haflinger - an Austrian small draft horse breed used for riding as well as pulling a carriage. At 12, she is calm, very gentle and wants a lot of love - just what I wanted. For now she is with Sky in the wonderful stable that Carol built all by herself (of course) - in her back bosque (woods). I am waiting to find out what needs to be done about my back before I can ride - but Carol and I are slowly practicing our cowgirl behaviours....

  • Leaning on the fence talking about our horses..and occasionally kicking the dirt
  • Finding the best & cheapest grass hay
  • Slowly getting the accoutrements - saddles, bridles, hat, boots
  • Enjoying the lovely smell of horses
  • Brushing and combing them
  • Talking about what we'll do next..... like convert the garage at my house into a stable so that the horses have two places to be.
  • It never ends.
   
 

Suddenly we see that our horses resemble us. Hm.

I hate to go further on this theme because Carol has changed "Sky's" name to LaMala. More on that in another issue.

 

A Welcome Wild Friend at Jan's

You may not be able to see her clearly, but a few days ago I noticed something new in the upper corner of my bedroom window. Secure outside the glass behind a bamboo shade was the unmistakable shape of an upside down bat. Of course it was daytime. I pulled back the interior shade and found her looking at me. So far she leaves every night to hunt for flying insects and returns each morning. Immediately I welcomed her and named her "Baby Ruth". I'd hoped she'd stay the winter just outside my window but she recently migrated off with her pals. Now I just hope she returns.

 
 
 

What's Going On?...

or where we've been & where we're going.....

As we like to do on road trips, we took Sage & Winkie with us. They are so fascinated by workshops.

In July we visited one of our favorite places - Flagstaff, Arizona to do a 2+ day workshop at Coconino Community College. What a great group. We were on a mission to produce powerful paintings - and we DID!
     
 
July, Flagstaff, Arizona
 
         
           

"Familiar Light" was the name of the show featuring 14 pastel paintings by Jonathan (my son) and 14 watercolor paintings by myself at Windows Gallery in Seattle. Over 100 people joined us for an evening of fun and festivities.!

The following day I did 2 demos at Daniel Smith. And then I rested.......

 

early September, Seattle, Washington

Familiar Light Art Show followed by 2 Demos @ Daniel Smith

 
 
             
         
             
"On the Trail of O'Keeffe at Ghost Ranch", a workshop I've done at Ghost Ranch for the past 10 years. They seem to get better every year - and this year was no exception. Eight women fulfilling a passion to paint and learn and play!
 
 

late September, Ghost Ranch,

New Mexico

 

Moonrise at Ghost Ranch. photo by Jan Hart

 
               
         
 

early October, Painting the Colors of Fall,

Ranchito San Pedro

 
We pause atop the cliff edge overlooking the winding Chama River - to talk about colors we see, the effects of the complements upon each other. As painters, we delight in ignoring the telephone pole below....
   
 
               
       
mid October, Nancy Ori's Photography Workshop in Santa Fe
 

I was privileged to be asked to present a slide show & demo to Nancy's group of 20+ photographers! what a great group.

 

 

Nancy is a gifted photography teacher based in New Jersey. For more information about her workshops, go to nancy ori@comcast.net

 

 
       
end of October , Medical Emergencies    

You know, I really don't want to dwell on any of this - but I feel that I owe an explanation - first to those students who I have disappointed because I've had to postpone Costa Rica, 2006 for a year. I should be fine for all the rest upcoming. Here it is in a nut shell...

  • I sustained a serious staph infection in my spine in 1998 which resulted in 3 surgeries, a laminectomy & fusion - and I seemed to come out of it just fine!
  • 2 years ago I began having occasional lower back pain (who doesn't?) & treated it with pain killers.
  • I lost my medical coverage in the process of all of my medical issues.
  • My sciatic pain & weakness increased this past year and a MRI showed further deterioration and cord damage. So.. given all the choices I and others could come up with, Since early October, I have been waiting to hear from a Neurosurgeon in NYC who deals with complex issues like mine on a regular basis. When it finally appeared that the Neurosurgeon was just too busy, I was referred to the University of New Mexico School of Medicine in Albuquerque to an Orthopedic Surgeon who specializes in the spine. As this newsletter goes out we are just about ready for an initial consultation and see what progresses after that. I'll keep you informed.
  • I am committed to "monetarily mortgaging all my future to enable my present", which contains the passions that sustain me. I very much want to continue - teaching, writing, painting, creating- and eventually riding my horse!
  • I'm blessed by my students & friends who send emails, still come to class to fill my studio with laughter and art and my animals who care for me moment by moment. A short story on that subject...

    Sage, my very wise and observant 3 year old African Gray parrot was helping me pay bills the other day. Since I'm mostly bed ridden, he was perched above me and I would hand him the empty envelope after I extracted the bill and invoice. He would tear up the envelope and drop it into the waste basket below while I wrote the check and inserted it and the invoice into the new envelope and licked it closed. After 4 transactions, Sage said, "Oh". I looked up and questioned, "What?" He replied, "That good?". I looked down to see that I had left the check out of the envelope. Needless to say, I thanked him.

     

 

 

 

 

 

   
This was the day Sage & I met each other at my favorite bird shop, "Feathered Friends", in Santa Fe. He was 6 months old.
 

Finishing up with

 

2005  

Jan Hart, guest Demo Artist

December 16, 2005 9 a.m.

The Northern Arizona Watercolor Artists, Sedona, AZ

Postponed until a later date

 

    I am so pleased to have been invited by the Northern Arizona Watercolor Society (NAWS) to do a demo and help participate in their Holiday program on the morning of Friday, December 16, 2005.I was going to try to make this happen but the drive is prohibitive. W hen it does happen, I plan to bring along some of the new Daniel Smith Primatek pigments in order to show off what they can do! See you there.For more information, please contact Wayne St.John (928) 639-3220. In President. Marsha Owen's kind letter she expressed thanks in advance for sharing my knowledge and love of art with the membership. Well all I can say is this. There is simply nothing I'd rather do than share whatever I know or even suspect with you - and we'll make sure it happens in 2006!    
       

 

On the Horizon

   

for 2006

Costa Rica Exotic Painting Adventure

14 Days

postponed to January or February, 2007

Pacific coastlands of Drake Bay & Guanacaste

 

further details later..

   
 

Join Jan & Leslie for this "once in a lifetime" opportunity - to paint, to learn, to explore, to play in beautiful Costa Rica. Just like complementary colors, we will be immersing ourselves into the complementary locales of Costa Rica - the north Pacific coast and the south Pacific coast. The north offers the dry, warm trade winds from the Caribbean and Costa Rica's famous beaches - and we'll be staying at a special seaside hotel with our own, private beach and pool. The south offers the coastal rainforest and jungles teeming with wildlife - and more private beaches at Drake Bay and nearby Cano Island. And lots of painting and plenty of other things to do, too. Max. students - 12. Some of our 2006 folks are re-signing up, plus others - so if you are looking ahead, let us know.

Check out all the details plus the day to day itinerary

on Jan'sWebsite, http://www.janhart.com/http://www.janhart.com

And if you've ever wanted an intensive workshop on COLOR & Color relationships - this is it!

 

 

 

 

 
 
 

 

On the Trail of O'Keeffe in Northern New Mexico...with Jan & Carol

Jan & Carol are excited to announce their new co-project - four, seasonal 1-week long workshops for 2006, all focused on aspects of Georgia O'Keeffe' works and life. At Ranchito San Pedro we have very comfortable 4-room Cabins, B&B and studio located centrally in northern New Mexico where we can easily choose from our favorite destinations like Taos, Taos Pueblo, Ojo Caliente hot springs, Ghost Ranch, Abiquiu, Los Alamos, Bandelier National Park, Baca Ranch, White Rock Overlook, Tent Rocks, Santa Fe, Madrid, Chimayo, Truchas, Nambe, Embudo Station, Española and more. Since Carol was born here and Jan has been here 12+ years - we definitely know and love the area. I will not be teaching week long workshops at Ghost Ranch any longer due partly to changes there and partly to my back's preference for my own bed. But -we can and will still visit! Each workshop is different so look them over below! $1225 plus tax includes all admissions to museums & the O'Keeffe House, all instruction, critiques, 24 hour use of studio, breakfasts, lunches and some dinners. Participants are responsible for vehicles to share and all liquor. We will provide easels, stools, directions, advice, laundry, and refrigerators stocked with water, breakfast and lunch items for all - plus Costa Rican coffee & teas. And we'll include the real landscapes where Georgia O'Keeffe painted!

Feel free to email me for more questions and to reserve a spot, send in your deposit of $200. For cancellation policies on all Jan Hart events, click here.

 

 

"Gerald's Tree", by Georgia O'Keeffe
photo by Jonathan Owens, 2003
 

 

On the Trail of O'Keeffe,

Winter @ Ranchito San Pedro

$1225/person plus tax

Tentatively, March 10 - 17, 2006

 

 

Our Winter Workshop begins with dinner at Angelina's after check in to the cabins or B&B rooms. $1225/person plus tax. All expenses are paid except for vehicle travel, liquor and some dinners out. We're still in the planning stages but believe we'll be visiting Santa Fe, the Georgia O'Keeffe Museum, Ghost Ranch as well as Taos and Ojo Caliente hot springs PLUS some other surprises. In the studio we'll be learning how to paint winter as well as warm interior spaces including night paintings!. Each cabin and the B&B rooms have use of a full kitchen with stocked refrigerator, private bath as well as laundry facilities. Stools & easels will be provided for any outdoor painting. Please email me if you are interested in this workshop and I will keep you updated. Limit - 10 students on first come basis.

SUBJECTS of STUDY include Interior scenes, Snow, Stormy skies, Firelight and Night scenes as well as still lifes.

 
   

 

On the Trail of O'Keeffe,

Spring @ Ranchito San Pedro

$1225/person plus tax

Tentatively, May 19 - 26, 2006

 

 

Spring in New Mexico celebrates life's renewals in a thousand ways! After checking into your cabin or B&B room, our workshop will begin in Chimayo, famous for its Good Friday pilgrimages to el Sanctuario and for Rancho de Chimayo, one of New Mexico's premier restaurants with great Margaritas and delectable flan. We'll see Taos, Santa Fe, Ghost Ranch with time for hiking the magnificent trails there. We'll also enjoy a day painting some of the animal life we love - parrots, pigeons, baby birds under Carol's care at the Wildlife Center, our horses, etc. And everywhere - we'll look for life unfolding and trees in bloom! I the studio, we'll play with the quinacridone pigments and learn all about COLOR and color relationships. There will be some free paints included for you. Max. 10 students on a first come basis. Workshop ends after breakfast, 5/26.

SUBJECTS of STUDY include Painting animals, Gardens and other Vegetation, Landscapes

 

 
   

 

On the Trail of O'Keeffe,

Summer @ Ranchito San Pedro

$1225/person plus tax

Tentatively, July, 21 - 28, 2006

 

 

Summer is a wonderful time to learn about light and shadows and sunsets and moonlight. Days are long and evenings are softly cool with fragrances of flowers . Summer is a perfect time to paint the houses and buildings made of warm adobe. We'll visit Taos pueblo and then paint St Francis de Assisi church and perhaps Dixon, Santa Fe, Chimayo and the houses just across the road from where we are! We'll also be learning how to paint one of my favorite subjects - ROCKS! After checking into your cabin or B&B room, our workshop will begin on the terrace at Gabriel's where our waiter will create our guacamole to our preferences right at our tables! Though we may specialize in learning to paint adobes, we'll learn also about all the other wonderful summer activities in New Mexico - hiking, swimming, traveling the high road to Taos and some may even want to raft the Rio Grande or go horseback riding! Of course we'll visit Bandelier, where we'll learn to paint the Anasazi cliff dwellings. In the studio, I'll be specializing in teaching about light and shadows and reflected light - and how to paint them - on adobes and rocks!! I'll be introducing some of Daniel Smith's new Primatek paints, made from pulverized pure minerals - and have some included for you! Max. 10 students on a first come basis. Workshop ends after breakfast on July 28.

SUBJECTS of STUDY include the study of Light, Shade, Shadows and Reflected Light, Rocks, Adobe structures

 

 
   

 

On the Trail of O'Keeffe,

Fall @ Ranchito San Pedro

$1225/person plus tax

Tentatively, October 6 - 13, 2006

 

 

Fall is one of the most spectacular seasons in New Mexico and a perfect time to paint landscapes filled with yellows, golds and oranges against the blues and purples of the mountains beyond. Days are comfortable and sunny with cool evenings. We'll visit Ghost Ranch and view the cottonwoods along the Rio Grande river as well as Taos and the Lawrence Ranch. We'll follow the arroyo at Plaza Blanca (The White Place) where spirits dwell and are available to those who are sensitive to them. Everywhere we'll smell the wonderful aroma of roasting chili and maybe stop to paint the ristras (clusters of chiles), pumpkins, squash and abundant sunflowers along the roads. After checking into your cabin or B&B room, our workshop will begin at El Paragua, one of the oldest and most established restaurants in Española with wonderful chiles rellanos and the best Margaritas around!
During the workshop I will teach you how to create a full, and glowing cottonwood tree and take you to visit my own personal favorite tree in Nambe! And, of course - we'll visit Santa Fe and perhaps the famous staircase at the Loretto Chapel. I'll be introducing some of Daniel Smith's quinacridone pigments for use in the glowing cottonwoods - and, as usual, I'll have some samples for you!,Max. 10 students on a first come basis. Workshop ends after breakfast on October 13.

SUBJECTS of STUDY include Watercolor pigments, Color and Color Relationships, Landscapes, Landscape Elements, etc.

 

 

   
 

Jan Hart's Exciting Architecture & Watercolor Painting workshop in PORTUGAL & NORTHERN SPAIN

September 15 - 29, 2006

with our favorite tour guide, Leslie Anderson

Watercolor & Architecture Adventure

To Northern Portugal & Spain

September 15 - 29, 2006, approximately $3200.00. Leslie is still investigating but the fee which will include most meals, instruction, guides and transportation while in Portugal & Spain. Email me here to add your name/email to my Portugal & Spain Interest List!

 

This is a reprint of a letter Leslie sent me about our trip. earlier this year she spent a month in northern Portugal and Spain setting up our trip, which I s going to be incredible. I wish I could give you more right now, but with my limited energy caused by my spinal injuries and Leslie currently in Colombia with her ailing mother helping her to more, we'll suffice to say that the details will emerge later but higher than your possible expectations. Here is Leslie's draft,

 

Our journey will begin when we all board together in the States on a British Airways flight or? airline to Porto, Portugal: We will be in Portugal during the famed Grape harvest Festival - Sept 22nd-October 22nd.

Porto or Oporto in Portuguese is an incredible city filled with antiquity and modernity. (Old buildings, cobbled stone streets, beautiful architecture, good food, wine and great pastries & good coffee!),  The old and improved buildings make it beautiful with their wrought iron balconies and flower beds with colorful laundry that adorn this old enchanting city. We will stay in Porto a couple days and the head east along the Douro River, up towards wine country. We will head up the mouth of the Douro River, with the Atlantic facing west. Then will experience the cultivated farmland and old architecture of centuries with farmers living & tending their farms of vineyards, cherries and other beautiful plants and animals. I discovered that exploring these old towns is the best way to experience ‘old Portugal’ and its great people.  As artists and architects this will be your chance to explore and indulge in and all these things of beauty of this old world.

This route towards Tras os Montes (beyond the mountains), and towards the Minho valley to towns like Guimaraes, Braga, Arcos de Valdeves, and to Ponte de Lima where we will stay at Paco* de Calheiros. I chose this place for its beautiful setting, surrounded by vineyards and small farms and home of the famous ‘Vino Verde’ of the Minho Valley that sets the perfect background picture with the Lima River flowing below. The Calheiros family has owned this estate for many centuries. The Count Francisco Calheiros is always present to tell us the history of this beautiful region and his family. And his wife is an architect so hopefully we can get her view and story as well. The grounds offer many beautiful locations to paint under the grape trees and gardens or you may venture into the forest behind the palace where there is a beautiful creek and some ponds. They have recently renovated a carriage house where we can have critiques and enjoy the day. Or we might choose to be by the pool where the view is more spectacular and work there maybe.The town of Paco is down about  a mile from the palace and its beautiful wing cobbled stone street and old little church with big trees are a wonderful setting to paint and relax . If time permits we can go stay in another very old palace at Paco de Gloria close to the town of Arcos de Valdevez before heading up to Santiago de Compostela in Spain.

Espana: Santiago and other towns.

Our drive into Spain from Northern Portugal unfolds from old farmlands into more modern towns like Valenca and Vigo which we might not be able to explore on this trip, perhaps on the way back to Porto, maybe.  We will stay in Santiago in the heart of the town at our beautiful old only a few steps from the cathedral. Remember Spanish schedule for functioning is to wake up late and go to bed very late. Our hotel is located in a small park with many flowers and cafes where people will be sitting all day and night chatting and eating and of course drinking good wine and refreshments and cafesinos (small, but strong coffee). I recommend anyone coming on this trip to relax brush up on history of this town. There is so much to see and absorb in architecture and art. Each should explore at your pace for a couple days or whatever Jan decides is best for you to do and then come back and share your experiences. Here everything will come together - lots to see, colorful people a lot of old architecture, religion, musical and art events and good food all the time; it is a place that doesn't’t sleep-well only sometimes. When we head south again back to Porto I wish to take the route through the border town of Tuy and finally back to Oporto.

 

Part of my commitment to this Adventure is entwined with my love of architecture, sketching, painting and a peculiar passion for perspective for artists. I will be helping you to learn how to easily and painlessly set up easy freehand perspectives to help you draw and paint. Light, Shade, Shadows and Reflected light will also be major parts of this workshop. We currently have a list of 26 people who have written me emails saying they might be interested and want more information before the decide. Please email me if you'd like to be added to the list and tell me - if you can - how committed you are at this time. No pressure - but we will limit the group to around 12. I apologize that I haven't more details currently - but will get them from Leslie once she gets back to Costa Rica and to a more reliable email system. I promise to be in touch....and to find the CD that Leslie sent & I put away for safe keeping!

 

 

 

I cannot wait to visit Porto. I want to smell it, see it, taste it, feel it and then paint it. Here is just a short quote about this incredible city;

 

"The charm of Porto is exactly this; the quiet sophistication underlying the shabbiness. At first the dirt and abandoned buildings repel, but then you realize areas of the city have remained untouched for over a century. The grotesque urban planning of the 60s and 70s that has left scars across every town in the UK never reached here. The legacy of the Salazar dictatorship is that Porto has not been Americanized. Whilst they have embraced global technology, modernity coexists with antiquity. Youths in levi's walk alongside widows permanently dressed in black. Women hawk fish and garlic outside stores selling the latest Sony plasma screens. Porto is a city of contrasts, at once rich and poor, hardworking and slow, first and third - world. Its citizens are cautious and reticent, yet proud and welcoming. Porto has its fair share of of museums, but the most captivating galleries are the shops, the buildings and the people themselves. The roads that tumble down the hill to the river house and eclectic mixture of shops. Here, right in the historic centre, there are stores specializing in lawnmowers, cogs, candles and kitchen sinks. Away from the shopping centres there are no chain stores. In Porto there are more shops selling cured pigs ears than there are branches of McDonalds. The city is a living museum - to see aquelejos go to the Sâo Bento station or the Igreja do Carmo. Elsewhere, ornate interiors and Art Nouveu shop-fronts continue to give this city an air of grandeur and elegance, even though the gilt has long since lost its shine."

 
one of Leslie's favorite photos
   
     
 
A street in Porto
 
     
 
 
     
the Rabellas or tourist boats
 
 
     
the courtyard of the Hotel Las Reyes
 
 
a vineyard I long to paint.......
   
 

Northwest Watercolor Society's Annual Waterworks

National Show & Workshop

Seattle, Washington

 

 

I am deeply honored to have been selected to jury this show and provide a 5 day workshop in one of my favorite places - in Seattle, Washington

October 23 - 27, 2006

 

for more information, please contact the Northwest Watercolor Society